Alla Martin Drollings Oljemålningar
ID Bilder  Oljemålningar Från A till Z     Information
43636  
Martin Drolling, Alms to the Poor
  		Alms to the Poor Oil on panel 34 x 28 cm
31046  
Martin Drolling, Interieur de cuisine
  		Interieur de cuisine mk71 Bois H.0.31 L.0.37 Bailleul.Musee Benoit-Dt-Puydt
1002  
Martin Drolling, Interior of a Kitchen
  		Interior of a Kitchen 1815 25 1/2" x 32" / 65 x 81cm Musee du Louvre, Paris
20717  
Martin Drolling, Interior of a Kitchen (mk05)
  		Interior of a Kitchen (mk05) 1815 Canvas 25 1/2 x 32''(65 x 81 cm)Acquired from the Salon of 1817 INV
31047  
Martin Drolling, Le Colporteur
  		Le Colporteur mk71 Toile H.0.65 L.0.81 Musee Benoit-De-Puydt a Bailleul
62364  
Martin Drolling, Portrait of the Artist's Son as a Drummer
  		Portrait of the Artist's Son as a Drummer 120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter
43812  
Martin Drolling, Portrait of the Artist-s Son as a Drummer
  		Portrait of the Artist-s Son as a Drummer Oil on canvas, 120 x 76 cm
52608  
Martin Drolling, Portrait of the Artist-s Son as a Drummer
  		Portrait of the Artist-s Son as a Drummer Oil on canvas, 120 x 76 cm
80988  
Martin Drolling, Portrait of the Artists Son as a Drummer
  		Portrait of the Artists Son as a Drummer 2nd half of 18th century Medium Oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in). cyf
52622  
Martin Drolling, The Messenger or The Good New
  		The Messenger or The Good New 1806 Oil on canvas
37394  
Martin Drolling, The woman and the Mouse
  		The woman and the Mouse mk125
Martin Drolling
1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.



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